Review: Deus Ex Machina (Fourth. Theatre Co)

Why shouldn’t a machine be God?

Oct 3 • Julia Faragher

September 2026

Review: Spider-Man: Brand New Day dir. Destin Daniel Cretton

Grief is at the heart of all our stories

Sep 20 • Julia Faragher

Review: How to Eat Rabbit (Pillow Fight Theatre)

Friends Alex and Cam are determined to survive the apocalypse side-by-side in their spruced-up rabbit burrow

Sep 9 • Julia Faragher

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August 2026

Interview: Akina Edmonds

The Hamilton star makes her Shakespeare debut

Aug 31 • Julia Faragher

Review: Cleopatra & Antony (Melbourne Shakespeare Company)

A new look at William Shakespeare’s classic play Antony and Cleopatra, proposing to put Cleopatra at the centre of the narrative

Aug 28 • Julia Faragher

July 2026

Ten years later, am I still an emerging writer?

How long have I been emerging? Can a writer be emerging in perpetuity? Will I be emerging until, if ever, I publish a book?

Jul 26 • Julia Faragher

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Review: The Odyssey dir. Christopher Nolan

An impressive cast of excellent performances with a set of stunning visuals

Jul 20 • Julia Faragher

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Review: Gia Ophelia (JB Theatre Co)

Gia Ophelia is for all the artists who exist perilously on the verge of a crisis

Jul 11 • Julia Faragher

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June 2026

Despite my analog yearnings, I discover new music on the internet

Five musical artists I stumbled across on the internet

Jun 28 • Julia Faragher

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Why I write

I write because I can’t do anything else

Jun 14 • Julia Faragher

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Review: Eurydice (Melbourne Shakespeare Company)

So much of our art is an attempt to speak to the dead

Jun 3 • Julia Faragher

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May 2026

How I manage my writing submissions

I’m not interested in the hustle. The hustle will not save me.

May 11 • Julia Faragher

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